Presale passwords are widely used on Ticketmaster and Live Nation to permit entertainment fans to acquire tickets for events before most other people can access them. Presale tickets are offered to members of the newsletter, members of the fan club and on occasion also to various other groups such as Spotify users.
Quite a few presale passcodes will only work for those who have access to a particular credit card such as an American Express, in these cases presale will only work for anyone owning an Amex, so that they can buy the seats.
CITI does the same things and issues credit cards that can be used during a presale to acquire quantities of tickets if you’ve got the suitable type of credit card (i.e., a CITI one).
The entire reason for a presale is to get tickets. You have to have a password to shop for tickets during a presale. There are some places to get yourself a passcode you need.
The most efficient resources we have discovered so far for presale passwords is Presale Codes
For many years they’ve been offering presale password information – they will help you to buy early tickets, and they offer a money back guarantee.
Ticket buyers quite often ask questions like “Just how many tickets are usually in a presale?” or “Precisely how many of the tickets are left over for the public after all the presales are finished?”
The music industry does not broadcast publicly precisely how many of the tickets are likely to be made available to CITI and Amex cardholders. After the venue hands out thousands for their e-newsletter, facebook and twitter promotions take up thousands more. Every band has their fan club and those members get the best seats near the stage – unless the band sells them straight to brokers for quick cash.
After all that – there’s not a lot of tickets left over.
As little as ten percent of tickets for a concert are offered to the open public.
Why are the public offered such a low percentage of concert tickets during the on-sale?
According to our analysis there seem to be several aspects which affect why event promoters allocate tickets this way: Optimizing their net profit is undoubtedly a driving factor. Businessmen have to generate profits, and concert promoters are no exception.
Bands often shout “its all about the music” however they’re not protesting when they hit the road to jam-packed stadiums and multi-million payouts.
The following articles are very detailed about the shady working practices of the concert industry. Without using a presale to get your concert tickets, you do not stand much of a chance.
So, what’s the moral of the story thus far: Presales beat Public Sales
To have the best chance of getting concert tickets, you should never wait for the public tickets to go on sale. Purchase your tickets early on and be delighted that you’ve a seat to see the show. If you want to push it even further, you could purchase a few tickets during the presale, endeavor to acquire others in the public on-sale and IF you’re able to sell the others, you can make a bit of profit for yourself.
With demand soaring and prices rocketing even higher you’ll be thankful to get in the doors of an event nowadays and if you can subsidize the cost of your own concert tickets by actually transforming into a reseller yourself, fill your boots!
How many tickets change hands in the pre-sales?
The promoter of Justin Bieber concerts allotted 90% of tickets to specified credit card holders, fan club, insiders and presales.
According to a feature in the New York Post:
Fans who were unable to get into One Direction’s sold-out July 2 concert at the Izod Center were incredibly disappointed – crushed even.
Even before concert tickets were available to the public, only 32% of the 13,687 seats were made available to ordinary, every day One Direction fans. The great majority had long been earmarked for pre-sales, insiders, fan club and members of the band.
Whilst fans are essentially left uninformed with regards to ticket allocation (can you see why?), nearly all the event tickets are given to the artists, tour sponsors, fan club members, record labels and talent agencies, as outlined by the Fan Freedom Project, a Washington DC-based coalition supported by Stubhub.
No tickets left for the normal fans during public on sale.
In another example from 2011, a tour was organized for LCD Sound System. Now, when a popular band such as this goes on tour or stages a residency, a promoter such as Bowery Presents or Live Nation works with them.
These promoters assist in deciding exactly where they will perform, and more interestingly, how the tickets are going to be priced and distributed, quite often via pre-sale packages for companies like CITI Financial and American Express and holds (allotments) for industry insiders.
This is undoubtedly where the majority of concert tickets are secured, and on average just 46 percent of tickets are left over for the public at large.
A lot of people become upset once they realize how few concert tickets are left for the wider public.
So, exactly what becomes of the rest of the presale concert tickets?
The concert venue itself – Brooklyn Steel or Madison Square Garden or whichever – receives its cut of the fees added onto ticket sales, whilst the ticket sellers – Ticketfly, Ticketmaster or Axa – act as the primary marketplace, making their cut out of convenience charges and service charges for some $25 billion per year.
The majority of these primary ticket sales merchants usually let, and even encourage, purchasers to sell on concert tickets, on their own websites. What this means is that the ticketing company earns money each time. Double-dipping wouldn’t you say? Possibly, it actually depends on who you put the question to.
It is the music industry insiders who cause most of the problems by getting access to heaps of seat tickets at or lower than face value and who sell on those tickets on websites such as Ticketmaster or StubHub.
If you’re trying to find tickets currently, good luck to you, and don’t forget, whenever you can, order your concert tickets as early as you can!